On formal upright style bonsai: Formal Upright Style BonsaiBy Connitta Bowers The
two main styles of
are
the classic (koten) and the informal or 'comic' (bunjin). In the
classic
style,
the trunk of the tree is wider at the base and
tapers off towards the top; it is just the opposite in the 'bunjin', a
style more difficult to master. If
you study carefully the way trees grow in nature, it is possible to
design a realistic
without
knowing the names of these styles. You do need
not stick strictly to the precise rules of your chosen style: adapt
them to suit a plant's natural habitat. The
five basic
styles
are formal upright, informal upright, slanting
(or windswept), semi-cascade and cascade. Each style has its own
individual beauty and serenity Formal
Upright
Style The
most important requirement for this
style
is that the trunk should be perfectly straight,
tapering naturally and evenly from its base to the apex. The branches
should be symmetrically spaced so they are balanced when viewed from
any direction. This is a very demanding style to achieve. Recommended
Species: Larches,
Junipers, Pines and Spruces are all suitable. Maples can also be used,
but are not as easy to train into such a conformist style. Above
all, fruiting or naturally informal trees are not suitable for formal
upright
style.
Processes/Techniques Used:
To
achieve an effective formal upright, be sure that about one third of
the trunk is visible from the front, either from the base to the first
branch or as seen through the tracery of its branches. Generally, the
placement of the branches will follow a pattern. The first branch up
from the bottom is the longest and in proportion is usually is trained
to grow to an equivalent of a third of the total height of the tree.
This is the 'heaviest' branch and will almost make a right angle to the
trunk. The second branch directly opposes the first branch and is
higher on the trunk. As the branch structure ascends, they taper
assuming a somewhat cone-like form. The top of the
is
usually very thick with foliage - so full and tight
that it is difficult to see its structure through the mass of leaves or
needles. The tip of this style of
also
has a slight curve, to lean forward and effectively
“look” at the viewer. Depending
on the species of tree you are using, the whole tree does not have to be
symmetrical, but rather the branches could ascend by alternating on
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